We often think of short films as a transition period in the life of a filmmaker, a springboard towards feature films. While it is a cinematographic form in itself.
In most shorts we encounter free films that avoid the narrative and aesthetic standards of the cinematographic industry. The short allows us to meet different scripts, emerging or assertive, by filmmakers who question the world and the means available to them to represent it.
The competition, composed of fiction, animation and documentaries suggest works marked by conflict and instability both in their themes and in their forms; in the image of our current world continuously questioned by cinema